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Game Review: Sleaford Mods' Jason Williamson Takes On Character in Critical Examination at 90s Rave Culture

Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher denying his container of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one key story turn, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in UK and Irish theaters from 17 November.

About the author

Christopher Lawrence

Elara is a digital content strategist with a passion for uncovering trending stories and engaging audiences through compelling narratives.

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